The best mirrorless cameras for video listed below have been selected by FindTheDecision because of their manual focus accuracy, good focus when recording video, reliability, and simplicity of the device.
If you want to purchase a camera for filmmakers, it can be difficult to figure out where to start. With so many brands available, finding the best mirrorless camera for video in 2019 at the right price can be tricky.
This then leaves the consumer with a difficult choice.
As well as just being to shoot videos in 4K, many of these cameras also have features that help you shoot videos in a variety of conditions, or maybe you need a camera for beginners.
Not sure where to start? Read on to find out about our best mirrorless camera for video.
The Best Mirrorless Camera for Video
Everyone has different reasons for buying the best mirrorless camera for video, and this is where we come into play. FindTheDecision has reviewed the top 2 best mirrorless cameras for video on the market today and has given you a buyer’s guide to help you out. Here they are:
1. Panasonic Lumix GH5S Best Mirrorless Camera for Video
Panasonic is one of the leading manufacturers of filmmaking and video technology. Everyone knows the GH line of cameras, including the iconic GH4, which was one of the first among hybrid cameras (if not the very first) to shoot 4K UHD video directly to the internal memory card.
But now we show you an even more video-oriented Lumix GH5s camera. If you are looking for the best mirrorless camera for professionals, then you will like it.
GH5s has a matrix with a resolution of 12 MP. Each pixel sensor has a larger physical size and therefore can receive more light. Therefore, the working ISO for this camera can be called 12800. This is an excellent indicator not only for the Micro 4/3 ”system but also for cameras with larger matrix sizes. Not all full-frame cameras can normally shoot video at this sensitivity.
Another feature of the new matrix is its multi-aspect.
On the GH5s, the matrix is slightly larger than that required by the micro 4/3 ”standard, is inscribed in the image circle created by the lens, so that the maximum possible matrix area is used for any aspect ratio. In practice, this means that the video will be slightly wider when using the same lens than on the GH5. The difference is small, but for someone, it can be very important. Let me remind you that for professionals there are no trifles.
Cinematic DCI 4K, that is, video with an aspect ratio of 17×9 on the GH5s can be recorded at any number of frames per second, that is, at 25, 30, 50 and 60. Otherwise, according to the recording formats, the possibilities are as follows: up to 400 Mb / s 4: 2: 2 10 bits in 4K to 30 fps, 4K 50-60 fps 8 bits 4: 2: 0 with a bit rate of 150 Mb / s – this is on the internal memory card. On an external recorder, any resolution with any frame rate can be recorded in 4: 2: 2 10 bit via full-size HDMI.
V-Log is installed in GH5s by default. Also added the ability to record HLG videos. Panasonic’s logarithmic mode is not bad, after conversion to Rec709 the colors are not distorted, the skin color is correct.
Hybrid log gamma is designed to record video for playback on TVs and monitors with HDR, that is, able to reproduce a high dynamic range.
We always talk about shooting in 4K, but for good reason, the GH5s is the best mirrorless camera for video, it also shoots video perfectly in FHD. Here 4K oversampling is used and the video quality is just excellent, both in detail and in color reproduction, in the absence of any distortion in the form of more.
Of course available for FHD 10 bit 4: 2: 2, F-Log and everything else. Super-slow motion shooting is possible with a frequency of up to 240 fps, up to 180 fps, the video quality is very high, further, a drop in detail is already noticeable.
Who should use the Panasonic Lumix GH5s? Well, firstly, for professionals who make documentaries, corporate films, advertising, high-budget weddings, when not only editing is done, but also normal post-processing of video. Even shooting movies, especially since this is the only camera on the market that can correctly work with anamorphic optics. Under MFT even full-fledged movie lenses are produced.
Secondly, for those who want to develop. Who wants to step forward and get videos of truly professional quality for their projects.
2. Sony Alpha a6500 Best Mirrorless Camera for Video
If you need the best mirrorless camera for video and photo, then you are in the right place. Let’s take a look at the Sony Alpha a6500.
The camera differs from its predecessor and most other full-frame mirrorless cameras in that it has a built-in five-axis image stabilization system based on the movement of the sensor.
It serves to compensate for vertical and horizontal shifts that occur during hand tremors, as well as camera rotations and deviations relative to the main optical axis. The efficiency claimed by the manufacturer is 5 stages of exposure, which is somewhat ahead of the promise of optical stabilization in the best modern lenses and makes it possible for the camera to compensate for shake when working with unstabilized optics, which was created not only for this camera but also for any other.
Previously, mirrorless systems used contrast autofocus, which so far does not see an alternative in the world of smartphones. Contrast detection is the only thing that can be realized without the need to place special sensors of a different kind on the sensor itself or even install a separate AF matrix. Our camera has a much more efficient combined system.
The camera shoots 4K-video (3840 × 2160 pixels) with a bit rate of up to 100 Mbps.
It has all the necessary functions for working with video at a professional level: zebra, focus picking, S-log3, built-in stabilizer. To speed up or slow down the scene, the camera can shoot video at a speed of 1 to 100 fps in 4K mode.
Sony is one of the few manufacturers that produce special video lenses for its cameras, which have silent autofocus and a continuously variable aperture.
The USB power option allows you to shoot long scenes without connecting a battery pack or replacing the battery.
Many have wondered how long you can work with the A6500 in 4K video shooting mode. You will not have problems with overheating during normal operation. Moreover, in the a6500 you can turn off the shutdown function when overheating, but you should only use this when shooting with a tripod, as the camera can become very hot.
I hope we helped you choose the best mirrorless camera for video.
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