- Best DSLR for Video
- 1. Canon EOS 5D Mark IV Best DSLR for Video
- 2. Nikon D810 DSLR for Video
- 3. Nikon D3300 DSLR for Video
- 4. Canon EOS 6D DSLR for Video
- 5. Canon EOS Rebel T5 DSLR for Video
- 6. Nikon D500 DSLR for Video
- 7. Canon EOS 5D Mark IV DSLR for Video
- 8. Canon EOS REBEL T7i DSLR for Video
- 9. Nikon D7500 DSLR for Video
- 10. Sony A77II DSLR for Video
The best DSLR for video listed below has been selected by FindTheDecision because of their video quality, design and market demand.
Cameras continue to gain popularity. Now they are needed not only for shooting high-quality photos, but also for video recording. And the best in this business is DSLR.
But there is a problem, what characteristics should such a camera have?
Do not worry. In this guide, we will explain this. It does not matter whether you are a beginner or a professional, everyone will be able to make their choice.
Not sure where to start? Read on for our top picks for the best DSLR for video around.
Best DSLR for Video
Therefore, you might find it hard to choose only the best camera for filmmaking on your budget from the crowded market, and this is where we come into play. FindTheDecision has reviewed the top 10 DSLR for video on the market today and has given you a buyer’s guide to help you out. Here they are:
1. Canon EOS 5D Mark IV Best DSLR for Video
Are you looking best Canon camera for video and photo? Try Canon EOS 5D Mark IV.
Canon did not hit the mud and ensure the relevance of the 5D for a few more years to come, despite the numerous conversations about losing SLRs. Yes, it is still a large and heavy camera, but in terms of its versatility, the Mark IV is, if not the leader, then at least among them.
This is not a compromised device, sharpened either for reporting work at high ISO or for maximum resolution in the studio or for shooting landscapes – the camera quite confidently combines these things. Moreover, Canon managed to create a sensor without problems with the dynamic range, which the company regularly sinned earlier – no claims can be made on this part, either in detail or in shooting in the dark. Autofocus is also very good – both when hovering over the viewfinder, and in Live View. Excellent build quality and control flexibility are implied.
Canon in one jump caught up with competitors from Sony, Nikon, and Panasonic and taught 5D to shoot 4K video – at 30 frames per second and a huge bitrate: 500 Mbps. The latter is good (you can use individual frames as photographs), and not really – it translates into a gigantic weight of files and increased demands on media. UHS-I SD cards, for example, last only 15 seconds to record in this format.
Nevertheless, Canon expects by adding this option to attract not only enthusiastic photographers but also videographers. Microphone and headphone jacks testify to the same – although they, of course, are on the Mark III. Shooting at maximum resolution is available only in Motion JPEG format, while in Full HD (at 30 and 60 frames per second – the latter, by the way, is not in Mark III) can also be shot using the H.264 format.
An additional advantage when shooting video will be excellent, fully working autofocus in video mode, as well as the full availability of manual settings.
One of the key features highlighting the DLSR camera on the general background is Dual Pixel RAW. This is a side effect of using two photodiodes on each pixel of the matrix, which, among other things, allow the use of phase focusing in Live View. When Dual Pixel RAW is activated, the camera records information from each of them, saving in RAW parallax from the side-by-side diodes.
Because of this, the pictures weigh significantly more – from 65 to 85 MB, and the camera works much slower. Due to the microscopic distance between the diodes and parallax, it remains small – but nevertheless, in the photo editor, you can move the focus and shift the side. Just a little, but it can help a lot with minimal focusing misses.
Also, due to the Dual Pixel RAW, you can reduce stray light – but again, you should not expect a miracle: this is a rather delicate tool that does not fundamentally change the perception of photographic equipment. And at the moment it is supported only by proprietary software Canon Digital Photo Professional 4. However, there is no doubt that support for Dual Pixel RAW will be included in the portfolio of widespread photo editors.
2. Nikon D810 DSLR for Video
Do you wanna best beginner DSLR for video? Look no further Nikon D850.
The Nikon D850 receives from us a more than justifiable “Very Good” rating. Great merit in this belongs to the quality of the resulting images. The full-frame sensor produces extremely clear and surprisingly low-noise images.
The D850 has a resolution of about 9 megapixels more than the previous model, and from experience, we know that the more megapixels, the more noise.
But here we can say about this statement: it does not correspond to reality. The first interfering pixels appear only with ISO 3200 at 100% image enlargement. How did Nikon engineers achieve this? Using the backlight matrix.
This is familiar to Alpha 7R II photo enthusiasts, who introduced BSI technology into the small format matrix class two years ago. This backlighting of individual pixels makes signal amplification less apparent, which improves noise by about one level.
However, this does not affect the clarity of the contours: the maximum 2591 linear pairs on the frame height produces the D850 with minimum photosensitivity.
Nevertheless: in general, the Nikon D850 in terms of image quality can be called a real colossus. The same goes for the case: it weighs about 915 grams. However, it is about 50 grams less than the weight of the D810. When equipped with an EN-EL15a battery, memory cards and a connected 24–70 mm f / 2.8, the weight of the device rushes to 2.5 kg.
Even if you do not pay attention to everything else that is not in favor of such a method, when shooting with one hand, the photographer will need good biceps. At the same time, even being in a bag or on a belt over your shoulder, this DSLR video camera attracts attention with its weight.
But in the hand, the D850 lies surprisingly well. At the latest, when the 100-400th lens takes its place in the mount, the convenient and splash-proof housing of this DSLR camera becomes well balanced.
Also, on the durable case made of magnesium alloy, there are a large number of direct buttons: 19 buttons control all conceivable and inconceivable functions, including the choice of shooting mode, image quality, white point, focus, and ISO. At the same time, the buttons located on the left edge have a backlight, as well as a practical info-display located on the upper side of the case.
Only the ISO button is missing the highlight. Also, D800 owners will have to relearn, as the ISO button is located directly below the shutter button. The system menu also strikes on the spot with an abundance of options and customization options. This further emphasizes the professional focus that the D850 adheres to.
Scenario programs? There are no such. Everything here can and should be configured manually. Whoever makes the settings blindly is likely to find a way out only in the reset function. Fortunately, the last menu item allows you to put together your sub-items, which may make it somewhat easier to find the most requested features. It would be very cool if the camera highlighted this item by default when you activate the menu with your left index finger.
3. Nikon D3300 DSLR for Video
The Nikon D3300 is an entry-level filming camera that showcases a small and light design. You should not be confused by the fact that this is an initial level device, as it affects the affordable price rather than the picture quality.
For most professional photographers, the D3300 is the best DSLR camera for video, but the novice will never even use some of the functions that are in this camera, so the classification into levels is very conditional. We are more interested in quality and image stabilization, which is top-notch in the D3300, and is in no way inferior to more expensive cameras.
The matrix is standard for this class of devices. This is a 24 MP APS-C CMOS, but there is no anti-alias filter. With a good optical viewfinder, detail promises to be a cut above other cameras in its segment. Processor – Expeed 4, which is the latest development of the company, and is installed in the D4s/D810.
This solution provides high-speed operation of the device, both when navigating the menu, and when viewing/saving/editing RAW files. Burst shooting – 5 frames per second, which should be enough for amateurs. The ISO range is from 100 to 12800, and 25600 is in the advanced mode.
The noise reduction system in the new “brain” works quite correctly and well, where 6400 with the right post will provide good results even when printing A4. The values above must either be incredibly long and well-handled or not used whenever possible. The dynamic range of the shots is very good, and even under difficult lighting, conditions, shadows, penumbra and light are transmitted correctly.
Autofocus on 11 points with a single cross sensor. This seems to be great, especially considering Nikon’s love for maximizing this indicator, and it seems to be quite enough for most situations that arise not only for beginners but also for seasoned photographers.
In addition, some manufacturers manage to put the same number of points in their full-frame models, so for a novice photographer, it is excellent. The tenacity of autofocus is normal, and nothing more. When using lenses with a motor, everything happens quickly and correctly, and in poor lighting conditions, there are false drives forward/backward.
Movies can be recorded at up to 60 fps in Full-HD with progressive. True, there is no diaphragm control in LiveView mode, but by the way, no one expected it. But the presence of a microphone port in the youngest model is super. Because high-quality sound will be available from the very beginning, without the need for an upgrade.
A specialty device has become an integrated rangefinder. This will allow beginners who want to learn manual focus, and not to lose a beautiful frame due to defocus. The rangefinder works as follows; when you switch to manual focus mode, a small bar lights up in the viewfinder, which shifts left and right depending on how much you have missed in sharpness. If all is well, the line turns into a point hanging in the center.
4. Canon EOS 6D DSLR for Video
The Canon EOS 6D is not just a camera with video but is one of the best DSLR for video at an affordable price. A fairly lightweight and durable camera is ideal for professional photographers. The simple and intuitive ergonomics of the EOS 6D allows you to use it in any environment.
The heart of one of the best DSLR for video is a 20.2 megapixel full-frame CMOS sensor and a powerful DIGIC 5+ image processor. They collectively allow you to take perfectly clear photos and convey the smallest details. The naturalness of color reproduction is complemented by the smooth transitions of halftones.
An excellent feature of the camera is recording 4K video, with a resolution of Full HD 1080p 1920 X 1080 at 30 fps. When shooting a video, there is no constant tracking focus, and there is no headphone jack. Even in low light conditions, this camera for filming allows you to take photos of excellent quality.
ISO sensitivity ranges from ISO 100 to ISO 25,600 (expandable to L: 50, H1: 51,200, H2: 102,400), and an 11-point focusing system that allows you to take pictures in ambient conditions up to -3EV. This sensitivity is enough even for shooting under the moonlight.
For focusing, the Canon 6D has a module with 11 focus points. The center point of the cruciform type is of increased accuracy. The high precision horizontal sensor line only works with high-aperture lenses. The focus module is not the best, and without problems and troubles, you can use only the center focus point.
The sensitivity of the Canon 6D focus sensor is -3.E.V (which is a very good indicator). It is possible to adjust the exact focus for a specific lens. Focus points are controlled exactly the same way as on amateur camera models such as the 60D. Unfortunately, the Canon 6D sensor is not made using DUAL PIXEL technology, and therefore focusing in Live View is significantly worse than with cameras with more advanced technology.
The main display of the camera is three-inch, not swivel and not touch at 1,040,000 points. There is also an additional monochrome display for a quick setup of basic shooting parameters. The Extended Dynamic Range (HDR) mode allows you to maintain high detail in light and dark areas, and create composite shots using the multiple exposure function.
Exposure compensation with a step of ± 5, and auto exposure bracketing with a step of ± 3 allow you to fine-tune the exposure. The built-in GPS module determines the exact location and records the GPS coordinates of the place in a data file. The GPS logger function continuously records route coordinates even when the camera is turned off.
5. Canon EOS Rebel T5 DSLR for Video
Canon introduced the EOS Rebel T5 SLR camera (Canon EOS 1200D – for Europe), which became the sequel to the Rebel T3 model. The new best DSLR for video will provide entry-level photographers with all the latest developments in shooting. The Rebel T5 (EOS 1200D) has an 18-megapixel CMOS sensor, a DIGIC 4 processor, and a 9-point autofocus system.
The 1200D shoots at 3 frames per second, and records video at a frequency of 1080p and all this of course with an emphasis on enhanced sensor sensitivity, and even in low light conditions. The new DSLR EOS Rebel T5 will provide users with excellent sensitivity at the rate of ISO 100-6400 (expandable to ISO 12.800).
And thanks to the improved AI Servo AF, users can benefit from the outstanding autofocus capabilities of the camera. The new EOS Rebel T5 camera also has a continuous shooting mode of up to 30 fps – a great bonus for shooting children’s events, sports and much more.
Enthusiast photographers can take high-quality images with accurate color, sharpness and contrast with the 18-megapixel CMOS (APS-C) and DIGIC 4 image processor. One of the best DSLR for video is also compatible with the full line of Canon EF and EF-S lenses, as well as other accessories such as the new Macro Ring Lite MR-14EX II.
The Full HD 60 fps shooting mode in the camera helps make shooting high-quality movies (1080p) a snap, and the improved Live View mode with the ability to edit the video stream is simply amazing. The new EOS 1200D camera has a set for any creative approach, and provides a variety of effects and settings for photography and video.
Add contrast for a more dramatic effect or increase exposure for extra brightness, creative filters including Toy Camera, Fisheye and Miniature Effect, and much more with the most modern EOS Rebel camera. EOS has always been famous for its design, user-friendly interface, and intuitive ergonomics of the camera.
6. Nikon D500 DSLR for Video
The D500 is Nikon’s newest, most advanced digital SLR camera, and is equipped with a DX-format matrix, which is one of the best DSLR for video at an affordable price. It is a continuation of the forgotten line of cameras Nikon D200, Nikon D300 and D300s – cropped SLR cameras for professional photographers.
There is no point in comparing the device with its predecessor – Nikon D300s: the novelty surpasses it in all respects. This is a brand new camera, and the second wind of the very concept of advanced Nikon. One way or another, the D500 will be compared with modern models, mostly full-frame.
This is not only due to its capabilities, but also its price. The Nikon D500 is on par with full-frame cameras, where the Nikon D750 costs the same, and the Nikon D610 is even cheaper. So, it is not so surprising that it is one of the best DSLR for video?
Speed - this is the word that should be associated with best DSLR for video. Everything is done so that the camera is as fast as possible in all respects. The key characteristics of the device include the possibility of serial shooting with a frequency of 10 frames per second in RAW format.
And the length of such a “queue” (if there is a sufficiently fast memory card) can be according to the manufacturer 200 frames without a drop in speed. This is the best indicator among the cropped SLR cameras to date, and it coincides with the capabilities of the flagship Nikon D5.
4K can also be recorded in high quality, but it is mandatory to use a high-speed memory card UHS-II or XQD. Given the clean output in the 4: 2: 2 model (only the 8-bit version), this gives significant freedom for color correction, which is good news.
The only problem is that the 4K camera records no more than 20 minutes and with a crop of × 1.7 from an already cropped frame, which can hardly be considered as an advantage of the camera. This is done to reduce the load on the processor when reading video in high density.
The phase autofocus module also significantly increases the speed of work. This is the same Multi-CAM 20K that is installed in the Nikon D5. The sensor has 153 AF points, 99 of which are cross type. When shooting, the photographer can choose one of 55 points, and the rest work as auxiliary.
In one of the best DSLR for video cameras, the autofocus sensors of the Nikon D500 cover almost the entire area of the frame. This is very convenient as you can focus anywhere, even from the edge.
The processor I must say honestly is good, but it gets very hot from such a load. The manufacturer provided for its cooling system directly through the metal case, but also provided for protection against overheating, which simply disables the possibility of further video recording.
In the photo, the same processor works wonders. In advanced mode, the matrix operates in the range of ISO 50-1638400, although the last three steps can not be called adequate.
7. Canon EOS 5D Mark IV DSLR for Video
The Canon EOS 5D Mark IV features a brand new 30.4-megapixel full-frame CMOS sensor. Its main feature is the use of Dual Pixel CMOS AF technology. The photosensitive elements of the sensor are divided into pairs of photodiodes in such a way that it provides fast phase focusing in Live View mode and during video recording.
Previously, with this technology, Canon achieved very good results in semi-pro cameras, but the really cool Dual Pixel CMOS AF proved to be in the professional Canon EOS-1D X Mark II. It is important to note the high sensitivity of the autofocus system for the image stabilization sensor (up to -4 EV). Autofocus works confidently even in very low light.
The focusing system through the viewfinder has also undergone refinement. Here, the “technology donor” was not the previous model, but the same top-end Canon EOS-1D X Mark II. It was from him that the new camera for filming got a phase focusing module with 61 sensors (41 of them are cross-type, 5 – double cross-type), and an increased coverage area. In coverage, the main difference is from the Canon EOS 5D Mark III.
And of course, an exposure sensor with a resolution of 150,000 pixels helps the phase module. The information from it is used when focusing through the viewfinder to recognize faces and track objects, which is the essence of EOS ITR AF technology. To process information from the metering module, a separate DIGIC 6 processor is used.
But this “reporting” improvements are not limited to burst speed, which is increased to 7 frames per second while maintaining tracking autofocus and exposure control. In Live View, the maximum autofocus speed is 4.3 frames per second, which is also a solid figure. The maximum buffer size is limited when shooting RAW 21 images, and in JPEG the camera can shoot video to fill memory cards.
The new camera for filming is equally well suited for both photo and video shooting. To the already standard Full HD resolution, 4K video was added, so shooting with a resolution of 4096 x 2160 (available only in crop mode) is possible. The maximum frame rate is limited for HD resolution to 120/100 frames per second, with a bit rate of up to 160 Mbps, for Full HD – 60 fps with a bitrate of up to 180 Mbps, and for 4K video – 30 fps with a huge bitrate of up to 500 Mbps from.
The camera supports memory cards SD and CF, but to record 4K video, you will need exactly CF with a speed of 100 MB/s. Another gift for advanced videographers in one of the best DSLR for video is the built-in intervalometer for recording time-lapse. It is available in both photo and video modes. With it, you can shoot video not only “blanks”, but also immediately ready-made videos.
In terms of wireless technology, the Canon EOS 5D Mark IV surpassed even the flagship model EOS-1D X Mark II. There is Wi-Fi with NFC, and a built-in GPS-receiver. A new interesting item appeared in the Wi-Fi menu, which is automatic transfer of pictures to an FTP server.
8. Canon EOS REBEL T7i DSLR for Video
The Canon EOS Rebel T7i Body is the latest in a long line of Canon digital SLR cameras that can put their legacy on the original EOS Digital Rebel (EOS 300D), which appeared back in 2003. Since then, the various iterations and updates that have come and gone have been firm favorites, with both new and more experienced users.
The Canon EOS Rebel T7i Body offers a number of improvements over its predecessor, although not all of them are obvious at first glance at the spec, so let’s take a look at the Rebel T7i Body While the EOS Rebel T7i has the same 24.2MP resolution as the Rebel T6i, it is replaced, and we decided that the sensor was redesigned, and uses the same technology that we saw in the EOS 80D.
Canon did not specify what exactly has changed, but we can assume that it uses the same built-in digital and analog conversion technology that we saw in the EOS 5D Mark IV to better handle noise. We will consider autofocus in more detail a little later, but taking into account the sensitivity of one of the best DSLR cameras for video, it offers the ISO 100-25,600 range. This is an additional stop on the T6i’s expanded 12,800 ISO ceiling.
Canon decided to stick to the same LCD screen with different viewing angles with a resolution of 1,040,000 pixels. As 4K video capture becomes a more standard feature on cameras, especially mirrorless rivals that the T7i Body will oppose, it’s a bit perplexing to see only Full HD capture.
Frames can shoot video at up to 60p, albeit with 30p T6i, while Canon equipped the Rebel T7i with a 5-axis image stabilization system for manual shooting. The phase detection system of one of the best DSLR cameras for video works very well, where the focusing speed was pretty fast even with the 18-55 mm lens we used, while the object tracking characteristics are noticeably better than the T6i/750D, thanks to the 7560-pixel RGB + IR.
Since there is no special joystick to select the AF point, this is done using the four-way button on the back of the camera. The new EOS Rebel T7i Body has a 24-megapixel CMOS sensor, and a 24 MP sensor is able to provide a decent amount of detail. Perhaps the biggest improvement is in the way the camera handles noise.
Autofocus is also a worthy improvement over the T6i/750D, with its solid 45-point autofocus system, which is backed by an excellent real-time viewing function. It is not surprising that there is no 4K video, especially since now it is offered by mirrorless rivals, although perhaps the biggest disappointment is the end of the camera.
If you can handle these problems, and if you are looking for a well-designed and convenient camera with which you can take the first steps in the world of DSLR photography, then the Canon EOS REBEL T7i Body is definitely worth it.
9. Nikon D7500 DSLR for Video
The Nikon D7500 saw the light of day just before the celebration by the manufacturing company of its centenary. As you know, the Nikon Corporation was registered on July 25, 1917 as Nippon Kogaku (“Japanese optics”), and later the name was truncated to the initial letters of this phrase, and in the end, “n” was added to “niko” for sounding.
One of the best DSLR camera for video is the result of the processing of the previous model, the Nikon D7200 digital SLR camera as evidenced by at least the appearance, where both cameras look like twins.
The D7500 received from its elder brother a 20.9-megapixel CMOS sensor in DX format, the size of which is 23.5 x 15.7 mm. The sensitivity ranges from 100 to 51,200 ISO units with the possibility of expanding from 50 to fantastic values of the equivalent of ISO 1,640,000 should ensure free operation in low and low light conditions.
The camera also has a flexible mode for automatically controlling the sensitivity of Auto ISO, which is already needless to say is already present in several cameras at this level. The high-speed Expeed 5 processor is responsible for image processing, which is the same as in the top models D500 and D5.
The camera buffer allows you to shoot a continuous series of 50 pictures in RAW format or 100 in JPEG format. The shooting speed of one of the best DSLR’s for video has increased to an impressive 8 frames per second. Such a rate of fire is definitely enough for any enthusiastic photographer to catch the right moment, whether it is a kick of a football player on the ball, the movement of pets or emotions on an artist’s face on the stage.
The novelty also received a new RGB metering sensor from the D500 with 180,000 pixels. The camera also has a metering mode for bright areas, which proves extremely convenient when shooting performances or concerts, when the musician’s face is brightly lit against a dark background.
The camera sets the exposure in such a way as to avoid overexposure. When analyzing the indicators, it is noticeable that the Nikon D7500 sensor has fewer effective image elements than each of the competing four.
But thanks to this decrease in “pixelity”, the developers managed to increase the rate of fire of our ward, since the processor began to read data from the sensor at a faster rate. And to win another frame per second to the initial seven (and especially six) is a more significant event than a loss of 3 million pixels in relation to 24 million.
10. Sony A77II DSLR for Video
The Sony a77 II is an APS-C format SLR camera, but one feature is that the mirror in this camera is stationary. Unlike traditional SLR cameras, the a77’s mirror does not rise between frames to measure exposure and focus.
The trick is that the mirror is translucent, and the stream of light is divided into two parts – the matrix and the autofocus sensor. This leads to interesting implications that give the a77 II its unique abilities.
The maximum rate of fire of one of the best DSLR cameras for video is a fantastic 12 frames/sec with autofocus, making the Sony a77 II a must have for sports lovers. Due to the fact that the mirror does not need to be constantly lifted, the design is simple and effective.
The beam of light is divided into two parts, and while you click the shutter, the autofocus receiving the image from the mirror continues to monitor the subject and adjusts the focus automatically.
Obviously, dividing the light stream into two parts, the matrix receives less light, and a large amount of noise should be expected at high IFRs. With focus limits, maximum autofocus speed that can be set in the menu and at 12 frames per second, the a77 II can give odds to many sports-oriented cameras.
Interestingly, the best DSLR camera for video does not produce 12 frames/sec just like that in any standard mode. To do this, you need to select a special option on the mode wheel, and only with it selected, there will there be a maximum rate of fire.
In other modes, the a77 II produces no more than 8 frames per second. Mode 12 is located between panorama and video. Of course, you will want to immediately share such shots with humanity, and on Sony a77 II there is everything for this starting with Wi-Fi and NFC.
Without NFC, the connection process is quite tedious, so you save time and nerves with a modern smartphone, where you can immediately edit photos and share with friends. Like almost all best DSLR cameras for video, the Sony ILCA-A77II case is made using magnesium alloys, making the camera durable and lightweight.
It is worth noting that the predecessor was already the easiest in the class, and the novelty became even a bit lighter at only 5 grams. Of course, competitors did not stand still, some of whom also managed to change the generation, but nevertheless the A77, both old and new remain the easiest representatives of the class.
The dimensions of the case are the same as in the case of the SLT-A77, and up to tenths of a millimeter. Moreover, the case panels are basically identical. In fact, there is only one difference between the case panels, where the novelty on the front panel does not have an autofocus backlight, but instead comes with a built-in flash in the strobe mode.
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