2 Best DSLR for Video (Review) In 2020

The best DSLR for video listed below has been selected by FindTheDecision because of their video quality, design and market demand.

Cameras continue to gain popularity. Now they are needed not only for shooting high-quality photos, but also for video recording. And the best in this business is DSLR.

But there is a problem, what characteristics should such a camera have?

Do not worry. In this guide, we will explain this. It does not matter whether you are a beginner or a professional, everyone will be able to make their choice.

Not sure where to start? Read on for our top picks for the best DSLR for video around.

Best DSLR for Video

Therefore, you might find it hard to choose only the best camera for filmmaking on your budget from the crowded market, and this is where we come into play. FindTheDecision has reviewed the top 10 DSLR for video on the market today and has given you a buyer’s guide to help you out. Here they are:

1. Canon EOS 5D Mark IV Best DSLR for Video

Are you looking best Canon camera for video and photo? Try Canon EOS 5D Mark IV.

Canon did not hit the mud and ensure the relevance of the 5D for a few more years to come, despite the numerous conversations about losing SLRs. Yes, it is still a large and heavy camera, but in terms of its versatility, the Mark IV is, if not the leader, then at least among them.

This is not a compromised device, sharpened either for reporting work at high ISO or for maximum resolution in the studio or for shooting landscapes – the camera quite confidently combines these things. Moreover, Canon managed to create a sensor without problems with the dynamic range, which the company regularly sinned earlier – no claims can be made on this part, either in detail or in shooting in the dark. Autofocus is also very good – both when hovering over the viewfinder, and in Live View. Excellent build quality and control flexibility are implied.

Canon in one jump caught up with competitors from Sony, Nikon, and Panasonic and taught 5D to shoot 4K video – at 30 frames per second and a huge bitrate: 500 Mbps. The latter is good (you can use individual frames as photographs), and not really – it translates into a gigantic weight of files and increased demands on media. UHS-I SD cards, for example, last only 15 seconds to record in this format.

Nevertheless, Canon expects by adding this option to attract not only enthusiastic photographers but also videographers. Microphone and headphone jacks testify to the same – although they, of course, are on the Mark III. Shooting at maximum resolution is available only in Motion JPEG format, while in Full HD (at 30 and 60 frames per second – the latter, by the way, is not in Mark III) can also be shot using the H.264 format.

An additional advantage when shooting video will be excellent, fully working autofocus in video mode, as well as the full availability of manual settings.

One of the key features highlighting the DLSR camera on the general background is Dual Pixel RAW. This is a side effect of using two photodiodes on each pixel of the matrix, which, among other things, allow the use of phase focusing in Live View. When Dual Pixel RAW is activated, the camera records information from each of them, saving in RAW parallax from the side-by-side diodes.

Because of this, the pictures weigh significantly more – from 65 to 85 MB, and the camera works much slower. Due to the microscopic distance between the diodes and parallax, it remains small – but nevertheless, in the photo editor, you can move the focus and shift the side. Just a little, but it can help a lot with minimal focusing misses.

Also, due to the Dual Pixel RAW, you can reduce stray light – but again, you should not expect a miracle: this is a rather delicate tool that does not fundamentally change the perception of photographic equipment. And at the moment it is supported only by proprietary software Canon Digital Photo Professional 4. However, there is no doubt that support for Dual Pixel RAW will be included in the portfolio of widespread photo editors.

2. Nikon D810 DSLR for Video

Do you wanna best beginner DSLR for video? Look no further Nikon D850.

The Nikon D850 receives from us a more than justifiable “Very Good” rating. Great merit in this belongs to the quality of the resulting images. The full-frame sensor produces extremely clear and surprisingly low-noise images.

The D850 has a resolution of about 9 megapixels more than the previous model, and from experience, we know that the more megapixels, the more noise.

But here we can say about this statement: it does not correspond to reality. The first interfering pixels appear only with ISO 3200 at 100% image enlargement. How did Nikon engineers achieve this? Using the backlight matrix.

This is familiar to Alpha 7R II photo enthusiasts, who introduced BSI technology into the small format matrix class two years ago. This backlighting of individual pixels makes signal amplification less apparent, which improves noise by about one level.

However, this does not affect the clarity of the contours: the maximum 2591 linear pairs on the frame height produces the D850 with minimum photosensitivity.

Nevertheless: in general, the Nikon D850 in terms of image quality can be called a real colossus. The same goes for the case: it weighs about 915 grams. However, it is about 50 grams less than the weight of the D810. When equipped with an EN-EL15a battery, memory cards and a connected 24–70 mm f / 2.8, the weight of the device rushes to 2.5 kg.

Even if you do not pay attention to everything else that is not in favor of such a method, when shooting with one hand, the photographer will need good biceps. At the same time, even being in a bag or on a belt over your shoulder, this DSLR video camera attracts attention with its weight.

But in the hand, the D850 lies surprisingly well. At the latest, when the 100-400th lens takes its place in the mount, the convenient and splash-proof housing of this DSLR camera becomes well balanced.

Also, on the durable case made of magnesium alloy, there are a large number of direct buttons: 19 buttons control all conceivable and inconceivable functions, including the choice of shooting mode, image quality, white point, focus, and ISO. At the same time, the buttons located on the left edge have a backlight, as well as a practical info-display located on the upper side of the case.

Only the ISO button is missing the highlight. Also, D800 owners will have to relearn, as the ISO button is located directly below the shutter button. The system menu also strikes on the spot with an abundance of options and customization options. This further emphasizes the professional focus that the D850 adheres to.

Scenario programs? There are no such. Everything here can and should be configured manually. Whoever makes the settings blindly is likely to find a way out only in the reset function. Fortunately, the last menu item allows you to put together your sub-items, which may make it somewhat easier to find the most requested features. It would be very cool if the camera highlighted this item by default when you activate the menu with your left index finger.


You’ve read about the best DSLR for video. Now it’s time to get them.

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Sam Pierce

Tech Blogger at FindTheDecision
Hi, my name is Sam Pierce. I am 30 years old and I have worked for 8 years as an engineer in a large company. I have been involved with various innovations in technology. And I know that choosing the right gadget is difficult. That is why I decided to make my blog to help everyone who is not well versed in technical matters or who wants to learn some features of this or that product. Since it is related to the choice of gadgets, I've called it FindTheDecision.
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